Alfred Dunhill
Icon
Woody Aromatic · 2015 · Carlos Benaim
Notes carried over from an earlier source and not independently checked.
- Reported longevity
- Long
- Reported sillage
- Strong
- Typical occasion
- Romantic/Evening
- Typical season
- Winter
These describe how the fragrance is generally reported to behave. Skin chemistry, weather and how much you apply all change it, so your own experience may differ.
Modelled profile
Neroli and bergamot open bright over peppery cardamom and lavender. Clean and assertive, it projects well while keeping a refined, dapper feel.
Taste Profile
The Purist
The Signature
Unmistakable. Always has been.
You arrived with a signature and you've never needed to explain it. Consistency is its own kind of confidence. Some things become part of the room before you do.
How Icon smells, measured
On Zenyra's five taste axes, Icon keeps the sweetness pared back, dry and austere, and sits light in the air, close to the skin and easy to miss.
Modelled profile. This profile is derived from the evidence currently available and may be refined over time.
Icon reads cool and open, nearer to citrus and air than to skin. That is 18th percentile for warmth across 5,320 scored fragrances.
Icon carries across a room and announces itself. That is 89th percentile for projection across 5,320 scored fragrances.
Icon sits mid-range on risk, neither a clear crowd-pleaser nor clearly divisive on the evidence available.
Icon sits light in the air, close to the skin and easy to miss. That is among the lowest in the catalogue for texture across 5,320 scored fragrances.
Icon keeps the sweetness pared back, dry and austere. That is 5th percentile for sweetness across 5,320 scored fragrances.
Projection, risk and texture describe how a fragrance behaves in a room and on skin. Where wear reports are thin, those scores rest near the middle by design, so a mid-range reading here is a statement about the evidence as much as about the scent. Warmth and sweetness are derived from composition and do not carry that caveat.
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