Slumberhouse

Grev

Woody Aromatic · 2009 · Josh Lobb

FirCloveCopaiba BalsamVirginia CedarOrris RootSpearmintPineStar AniseApple PeelFir ResinSandalwood

Longevity

Moderate

Sillage

Intimate

Occasion

Romantic/Evening

Seasonality

Summer

Fir and pine sharpened by clove and star anise, with copaiba balsam and sandalwood deepening the base. Dry and resinous with almost no sweetness, it captures cold coniferous air over a heavy woody floor.

Taste Profile

The Original archetype

The Original

The Considered Statement

Makes a statement worth asking about.

Unusual enough to stop someone mid-thought. Considered enough to keep them there. The question it raises is the point.

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How Grev smells, measured

On Zenyra's five taste axes, Grev keeps the sweetness pared back, dry and austere, and leaves its components exposed, shifting as it wears.

Warmthtemperate0.50

Grev sits temperate, built on woods and soft musk rather than amber.

Projectionmid-range0.60

Grev sits mid-range on projection, which for a fragrance with thin wear data reflects an absence of reports rather than a measured middle. That is 75th percentile for projection across 5,322 scored fragrances.

Riskmid-range0.66

Grev sits mid-range on risk, neither a clear crowd-pleaser nor clearly divisive on the evidence available. That is among the highest in the catalogue for risk across 5,322 scored fragrances.

Textureexposed0.75

Grev leaves its components exposed, shifting as it wears. That is among the highest in the catalogue for texture across 5,322 scored fragrances.

Sweetnessdry0.12

Grev keeps the sweetness pared back, dry and austere. That is 12th percentile for sweetness across 5,322 scored fragrances.

Projection, risk and texture describe how a fragrance behaves in a room and on skin. Where wear reports are thin, those scores rest near the middle by design, so a mid-range reading here is a statement about the evidence as much as about the scent. Warmth and sweetness are derived from composition and do not carry that caveat.

How Zenyra measures these five axes →

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