SHL 777

Crying of Evil

Oriental Floral

TuberoseLeatherRosePatchouliAmberOlibanum

Occasion

Romantic/Evening

Seasonality

Winter

Leather and dark flowers with an animal pulse. Beautiful and unsettling at once.

Taste Profile

The Original archetype

The Original

The Open Journey

Knows exactly where you're going and makes it look effortless.

Eyes wide open and ready to go somewhere different. That kind of curiosity is infectious. You're on a journey and want to take people with you.

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How Crying of Evil smells, measured

On Zenyra's five taste axes, Crying of Evil reads warm and close to the skin, in amber and resin territory, and keeps the sweetness pared back, dry and austere.

Warmthwarm, close0.72

Crying of Evil reads warm and close to the skin, in amber and resin territory. That is 76th percentile for warmth across 5,322 scored fragrances.

Projectionmid-range0.65

Crying of Evil sits mid-range on projection, which for a fragrance with thin wear data reflects an absence of reports rather than a measured middle. That is 83rd percentile for projection across 5,322 scored fragrances.

Riskpolarising0.68

Crying of Evil divides opinion by design. That is among the highest in the catalogue for risk across 5,322 scored fragrances.

Texturemid-range0.65

Crying of Evil sits mid-range on texture, which for a fragrance with thin wear data reflects an absence of reports rather than a measured middle. That is 89th percentile for texture across 5,322 scored fragrances.

Sweetnessdry0.30

Crying of Evil keeps the sweetness pared back, dry and austere. That is 44th percentile for sweetness across 5,322 scored fragrances.

Projection, risk and texture describe how a fragrance behaves in a room and on skin. Where wear reports are thin, those scores rest near the middle by design, so a mid-range reading here is a statement about the evidence as much as about the scent. Warmth and sweetness are derived from composition and do not carry that caveat.

How Zenyra measures these five axes →

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