Jeanne Lanvin My Sin for women by Lanvin

Lanvin

Jeanne Lanvin My Sin for women

musky powdery · 1924

AldehydesNeroliClary SageBergamotAmalfi LemonJasmineOrris RootNarcissusYlang-YlangRoseCloveLilacLily-of-the-ValleyCivetMuskStyraxWoodsy NotesTolu BalsamVetiverVanilla

Longevity

Good

Sillage

Strong

Occasion

night out

Seasonality

fall

4.30community rating

A classic aldehydic floral, jasmine and rose wrapped in a soapy, luminous shimmer that settles into musk, styrax and a whisper of civet. It carries itself with vintage poise, powdery and animalic underneath, warm without turning heavy.

Taste Profile

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How Jeanne Lanvin My Sin for women smells, measured

On Zenyra's five taste axes, Jeanne Lanvin My Sin for women keeps the sweetness pared back, dry and austere, and sits temperate, built on woods and soft musk rather than amber.

Warmthtemperate0.49

Jeanne Lanvin My Sin for women sits temperate, built on woods and soft musk rather than amber.

Projectionmid-range0.60

Jeanne Lanvin My Sin for women sits mid-range on projection, which for a fragrance with thin wear data reflects an absence of reports rather than a measured middle. That is 75th percentile for projection across 5,322 scored fragrances.

Riskmid-range0.60

Jeanne Lanvin My Sin for women sits mid-range on risk, neither a clear crowd-pleaser nor clearly divisive on the evidence available. That is 96th percentile for risk across 5,322 scored fragrances.

Texturemid-range0.60

Jeanne Lanvin My Sin for women sits mid-range on texture, which for a fragrance with thin wear data reflects an absence of reports rather than a measured middle. That is 79th percentile for texture across 5,322 scored fragrances.

Sweetnessdry0.30

Jeanne Lanvin My Sin for women keeps the sweetness pared back, dry and austere. That is 44th percentile for sweetness across 5,322 scored fragrances.

Projection, risk and texture describe how a fragrance behaves in a room and on skin. Where wear reports are thin, those scores rest near the middle by design, so a mid-range reading here is a statement about the evidence as much as about the scent. Warmth and sweetness are derived from composition and do not carry that caveat.

How Zenyra measures these five axes →

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