Kilian
Good Girl Gone Bad
Amber Floral
Notes carried over from an earlier source and not independently checked.
- Reported longevity
- Long
- Reported sillage
- Moderate
- Typical occasion
- Romantic/Evening
- Typical season
- Winter
These describe how the fragrance is generally reported to behave. Skin chemistry, weather and how much you apply all change it, so your own experience may differ.
Reviewed profile
A lush white bouquet of jasmine, tuberose and orange blossom, brightened by apricot-like osmanthus. Narcissus and rose add depth and a slightly narcotic edge. Full and radiant, unmistakably floral.
Taste Profile
The Natural
The Easy Choice
Always works, always easy.
The one to reach for in a hurry. It fits the moment because it always does. Don't think, just go for it.
How Good Girl Gone Bad smells, measured
On Zenyra's five taste axes, Good Girl Gone Bad sits temperate, built on woods and soft musk rather than amber, and carries sweetness without letting it define the scent.
Reviewed profile. This profile has received a focused catalogue review.
Good Girl Gone Bad sits temperate, built on woods and soft musk rather than amber. That is 33rd percentile for warmth across 5,320 scored fragrances.
Good Girl Gone Bad sits mid-range on projection, which for a fragrance with thin wear data reflects an absence of reports rather than a measured middle. That is 75th percentile for projection across 5,320 scored fragrances.
Good Girl Gone Bad sits mid-range on risk, neither a clear crowd-pleaser nor clearly divisive on the evidence available.
Good Girl Gone Bad carries body without weight, present without filling a room. That is 57th percentile for texture across 5,320 scored fragrances.
Good Girl Gone Bad carries sweetness without letting it define the scent. That is 74th percentile for sweetness across 5,320 scored fragrances.
Projection, risk and texture describe how a fragrance behaves in a room and on skin. Where wear reports are thin, those scores rest near the middle by design, so a mid-range reading here is a statement about the evidence as much as about the scent. Warmth and sweetness are derived from composition and do not carry that caveat.
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