Jean Patou

Joy (1930)

Floral · 1930 · Henri Alméras

tuberoseroseylang-ylangaldehydespeargreen notesjasmineiris rootmusksandalwoodcivet

Notes carried over from an earlier source and not independently checked.

Reported longevity
Moderate
Reported sillage
Moderate
Typical occasion
Casual
Typical season
All Year

These describe how the fragrance is generally reported to behave. Skin chemistry, weather and how much you apply all change it, so your own experience may differ.

Modelled profile

A grand bouquet of tuberose, rose and jasmine over iris, sandalwood and a trace of civet. It reads opulent and old-world, aldehydes and powder lending a plush veil. Rich and full, with an animalic warmth at the base.

Taste Profile

The Natural archetype

The Natural

The Complete Picture

An accessory that's part of the package.

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How Joy (1930) smells, measured

On Zenyra's five taste axes, Joy (1930) keeps the sweetness pared back, dry and austere, and feels thick in the air, saturated and physically there.

Modelled profile. This profile is derived from the evidence currently available and may be refined over time.

Warmthtemperate0.45

Joy (1930) sits temperate, built on woods and soft musk rather than amber. That is 42nd percentile for warmth across 5,283 scored fragrances.

Projectionmid-range0.62

Joy (1930) sits mid-range on projection. That is 79th percentile for projection across 5,283 scored fragrances.

Riskmid-range0.37

Joy (1930) sits mid-range on risk, neither a clear crowd-pleaser nor clearly divisive on the evidence available.

Texturedense0.72

Joy (1930) feels thick in the air, saturated and physically there. That is 80th percentile for texture across 5,283 scored fragrances.

Sweetnessdry0.22

Joy (1930) keeps the sweetness pared back, dry and austere. That is 24th percentile for sweetness across 5,283 scored fragrances.

Projection, risk and texture describe how a fragrance behaves in a room and on skin. Where wear reports are thin, those scores rest near the middle by design, so a mid-range reading here is a statement about the evidence as much as about the scent. Warmth and sweetness are derived from composition and do not carry that caveat.

How Zenyra measures these five axes →

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