Jean Patou

Joy (1930)

Floral · 1930 · Henri Alméras

tuberoseroseylang-ylangaldehydespeargreen notesjasmineiris rootmusksandalwoodcivet

Longevity

Moderate

Sillage

Moderate

Occasion

Casual

Seasonality

All Year

A grand bouquet of tuberose, rose and jasmine over iris, sandalwood and a trace of civet. It reads opulent and old-world, aldehydes and powder lending a plush veil. Rich and full, with an animalic warmth at the base.

Taste Profile

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How Joy (1930) smells, measured

On Zenyra's five taste axes, Joy (1930) keeps the sweetness pared back, dry and austere, and sits temperate, built on woods and soft musk rather than amber.

Warmthtemperate0.45

Joy (1930) sits temperate, built on woods and soft musk rather than amber. That is 40th percentile for warmth across 5,322 scored fragrances.

Projectionmid-range0.62

Joy (1930) sits mid-range on projection, which for a fragrance with thin wear data reflects an absence of reports rather than a measured middle. That is 79th percentile for projection across 5,322 scored fragrances.

Riskmid-range0.37

Joy (1930) sits mid-range on risk, neither a clear crowd-pleaser nor clearly divisive on the evidence available.

Texturemid-range0.60

Joy (1930) sits mid-range on texture, which for a fragrance with thin wear data reflects an absence of reports rather than a measured middle. That is 79th percentile for texture across 5,322 scored fragrances.

Sweetnessdry0.22

Joy (1930) keeps the sweetness pared back, dry and austere. That is 25th percentile for sweetness across 5,322 scored fragrances.

Projection, risk and texture describe how a fragrance behaves in a room and on skin. Where wear reports are thin, those scores rest near the middle by design, so a mid-range reading here is a statement about the evidence as much as about the scent. Warmth and sweetness are derived from composition and do not carry that caveat.

How Zenyra measures these five axes →

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