Creed
Love in White
Floral · 2005 · Olivier Creed
Notes carried over from an earlier source and not independently checked.
- Reported longevity
- Moderate
- Reported sillage
- Moderate
- Typical occasion
- Intimate / Personal
- Typical season
- All Year
These describe how the fragrance is generally reported to behave. Skin chemistry, weather and how much you apply all change it, so your own experience may differ.
Reviewers consistently remark on the quality of the materials.
Modelled profile
Orange blossom and magnolia over a soft rice-and-ambergris base, clean and slightly milky. Delicate and airy, it feels fresh and quietly luminous.
Taste Profile
The Purist
The Crisp Presence
Crisp, clear and impossible to miss.
The choice was always going to be precise. High presence, clean lines, nothing left to chance. You knew exactly what you were doing.
How Love in White smells, measured
On Zenyra's five taste axes, Love in White reads cool and open, nearer to citrus and air than to skin, and is broadly easy to wear, familiar in its structure.
Modelled profile. This profile is derived from the evidence currently available and may be refined over time.
Love in White reads cool and open, nearer to citrus and air than to skin. That is 9th percentile for warmth across 5,320 scored fragrances.
Love in White sits mid-range on projection, which for a fragrance with thin wear data reflects an absence of reports rather than a measured middle. That is 31st percentile for projection across 5,320 scored fragrances.
Love in White is broadly easy to wear, familiar in its structure. That is 33rd percentile for risk across 5,320 scored fragrances.
Love in White carries body without weight, present without filling a room. That is 22nd percentile for texture across 5,320 scored fragrances.
Love in White carries sweetness without letting it define the scent.
Projection, risk and texture describe how a fragrance behaves in a room and on skin. Where wear reports are thin, those scores rest near the middle by design, so a mid-range reading here is a statement about the evidence as much as about the scent. Warmth and sweetness are derived from composition and do not carry that caveat.
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