Clive Christian

No. 1 Feminine

Oriental Woody

ApricotPeachCardamomPlumPineappleBergamotPaprikaAmalfi LemonYlang-YlangIrisJasmineCarnationRoseOrchidSandalwoodVanillaBenzoinTonka BeanMuskAmberVirginia Cedar

Longevity

Moderate

Sillage

Moderate

Occasion

Office/Daily

Seasonality

Spring

Ripe apricot, peach and plum open into a full floral heart of jasmine, rose and iris, warmed by sandalwood, vanilla and tonka. Opulent and room-filling, it carries a plush sweetness balanced by a soft spice edge.

Taste Profile

The Natural archetype

The Natural

The Easy Choice

Always works, always easy.

The one to reach for in a hurry. It fits the moment because it always does. Don't think, just go for it.

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How No. 1 Feminine smells, measured

On Zenyra's five taste axes, No. 1 Feminine carries across a room and announces itself, and carries sweetness without letting it define the scent.

Warmthtemperate0.48

No. 1 Feminine sits temperate, built on woods and soft musk rather than amber.

Projectionroom-filling0.68

No. 1 Feminine carries across a room and announces itself. That is 86th percentile for projection across 5,322 scored fragrances.

Riskmid-range0.37

No. 1 Feminine sits mid-range on risk, neither a clear crowd-pleaser nor clearly divisive on the evidence available.

Texturemid-range0.60

No. 1 Feminine sits mid-range on texture, which for a fragrance with thin wear data reflects an absence of reports rather than a measured middle. That is 79th percentile for texture across 5,322 scored fragrances.

Sweetnesslightly sweet0.55

No. 1 Feminine carries sweetness without letting it define the scent. That is 72nd percentile for sweetness across 5,322 scored fragrances.

Projection, risk and texture describe how a fragrance behaves in a room and on skin. Where wear reports are thin, those scores rest near the middle by design, so a mid-range reading here is a statement about the evidence as much as about the scent. Warmth and sweetness are derived from composition and do not carry that caveat.

How Zenyra measures these five axes →

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