
Woody Aromatic · 2017 · Ilias Ermenidis, Christophe Raynaud
Notes carried over from an earlier source and not independently checked.
These describe how the fragrance is generally reported to behave. Skin chemistry, weather and how much you apply all change it, so your own experience may differ.
Limited evidence
A citrus-lavender opening gives way to spiced woods, labdanum and ambroxan, over a base of leather and dark vanilla. Cinnamon and patchouli add warmth while cedar and amberwood keep the structure firm. Full and enveloping, it moves from fresh to smoky-sweet as it settles.

The Anchor
The Dry Warmth
Warm enough to be felt. Dry enough to mean it.
The warmth here is firm. It arrives unapologetic and stays put. Substance comes first, every time.
On Zenyra's five taste axes, Obsessed for Men keeps the sweetness pared back, dry and austere, and is broadly easy to wear, familiar in its structure.
Limited evidence. Available evidence is limited, so this profile may change as the catalogue develops.
Obsessed for Men sits temperate, built on woods and soft musk rather than amber. That is 74th percentile for warmth across 5,283 scored fragrances.
Obsessed for Men sits mid-range on projection. That is 82nd percentile for projection across 5,283 scored fragrances.
Obsessed for Men is broadly easy to wear, familiar in its structure. That is 42nd percentile for risk across 5,283 scored fragrances.
Obsessed for Men carries some body without feeling heavy. That is 76th percentile for texture across 5,283 scored fragrances.
Obsessed for Men keeps the sweetness pared back, dry and austere. That is 28th percentile for sweetness across 5,283 scored fragrances.
Projection, risk and texture describe how a fragrance behaves in a room and on skin. Where wear reports are thin, those scores rest near the middle by design, so a mid-range reading here is a statement about the evidence as much as about the scent. Warmth and sweetness are derived from composition and do not carry that caveat.
Find out how Obsessed for Men fits your taste.
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